Bye-bye "fair use". So long any hope for meaningful copyright reform.
The Wonder Years is never going to be out on DVD is it?

Bye-bye "fair use". So long any hope for meaningful copyright reform.

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Only if you charge a user tariff, charging mileage as well as per song fees. Then, of course, you must properly report your earnings to the IRS on a quarterly basis transferring the tax/fees you collected on behalf of the IRS into their hot little hands, usually due on the 15th of the month following the quarter end.
:funn:
2.2 Restrictions. You represent, warrant and agree that you will use the Service only for your personal, non-commercial, entertainment use and not for any redistribution of the Digital Content or other use restricted in this Section 2.2. You agree not to infringe the rights of the Digital Content's copyright owners and to comply with all applicable laws in your use of the Digital Content. Except as set forth in Section 2.1 above, you agree that you will not redistribute, transmit, assign, sell, broadcast, rent, share, lend, modify, adapt, edit, license or otherwise transfer or use the Digital Content. You are not granted any synchronization, public performance, promotional use, commercial sale, resale, reproduction or distribution rights for the Digital Content. You acknowledge that the Digital Content embodies the intellectual property of a third party and is protected by law.
Is that the stuff I just click through and never read?
Remember bootleg recordings at concerts? My big brothers did this all the time.....definitely not allowed. I don't think they sold their tapes, but they certainly shared them. Hhmmm, maybe they did sell them.....
Yeah, that's the stuff. :funn:

Is that the stuff I just click through and never read?
Below is a paragraph from Amazon's t's and c's that govern mp3 downloads:
2.2 Restrictions. You represent, warrant and agree that you will use the Service only for your personal, non-commercial, entertainment use and not for any redistribution of the Digital Content or other use restricted in this Section 2.2. You agree not to infringe the rights of the Digital Content's copyright owners and to comply with all applicable laws in your use of the Digital Content. Except as set forth in Section 2.1 above, you agree that you will not redistribute, transmit, assign, sell, broadcast, rent, share, lend, modify, adapt, edit, license or otherwise transfer or use the Digital Content. You are not granted any synchronization, public performance, promotional use, commercial sale, resale, reproduction or distribution rights for the Digital Content. You acknowledge that the Digital Content embodies the intellectual property of a third party and is protected by law.
Share? Lend?
Can you legally play an mp3 downloaded song with friends in the room?
Can you lend a burned CD to a friend?
Doesn't sound like it to me.
Until recently, itunes was extrememly constrictive. They have loosened somewhat in the face of competitors like Amazon.
The basic problem is that the RIAA isn't interested in A) the rule of law (of course, neither is the administration in the case of contract law and AIG for example) or B) the best interests of the artists that they (theoretically) represent.
Their primary interest is in maintaining their current, somewhat monopolistic business model, while simultaneously resisting the wheel of progress.
A good parallel would have been buggy whip distributors being able to control the manufacture and distribution of automobiles in the late 19th and early 20th century. Autos were clearly a threat to their prevalent business model and had they been able to prevent them from happening, they could have secured their business with no changes to the existing model.
The recording companies (notice, I never mention the artists) could have easily embraced and owned the digital distribution model 10 years ago, but they chose to fight it. Plus, they chose to fight it using illegal methods and to pulll as many unethical stunts as possible to protect their position.
Ultimately, once this battle is resolved, artists will do their own production and PR. At that point, they will be in control of their own Intellectual Property destiny.
Then, instead of an artist being 'owned' by a label, a new, for-fee model, where companies provide marketing and distribution channels, will have to arise. At that point, the artists will be in charge of their own futures and able to protect themselves as much or as little as they see fit.
Once that happens, assuming the record companies haven't screwed the pooch with consumers too much in the meantime, the system will reach some form of equilibrium again.
Most artists make their real money from performances, not recordings. Performances are NOT threatened by new technology. Downloaded recordings are just another way to enlist fans.
The new model that will inevitably rise,will probably support this and provide the artists with more income in the long run. For a good example, google Jonathan Coulton.