Harpeth Rising LIVE@TheREP
Harpeth Rising is LIVE@TheREP on Friday, February 10 at 7:30pm in the Seaside Repertory Theatre.
Tickets & info: http://lovetherep.com/harpeth-rising-is-livetherep/
Chamberfolk: Three classically trained musicians playing original music, as intricately arranged as a string quartet, lyrically rooted in the singer/songwriter tradition, and wrapped in three-part vocal harmonies reminiscent of both Appalachia and Medieval Europe. Building from the tonal depth of the cello (or is it a bass?), layer in the shimmering sounds of a violin and the strikingly natural addition of banjo to create a sound at once familiar and impossible to categorize. Unapologetic genre-benders, Harpeth Rising fuses Folk, Newgrass, Rock and Classical into something organically unique.
Live@TheREP Spring 2017 Concert Series
Jan 21: Peter Bradley Adams
Feb 10: Harpeth Rising
Mar 5: April Verch Band
May 4: Griffin House
May 19: Jeff Black
May 20: Kim Richey
Every concert in the LIVE@TheREP Series sets the audience in an intimate venue with the music industry’s Grammy nominated powerhouses.
Tickets for all concerts and main performances at LoveTheREP.com.
Celebrating its 16th season, The Repertory Theatre is Northwest Florida’s premier professional theatre company. The REP has built itself into a first-rate regional theatre, attracting some of the finest talent from around the country. The REP’s host of talented theatre professionals and group of dedicated volunteers work together to entertain more than 30,000 people each year. Having established an indoor home on the stage of the 75-seat Meeting Hall Theatre in downtown Seaside, Florida, The REP has never stopped broadening its horizons, adding new programming and new venues in Seaside and beyond to better reach its expanding audience base. For five years, The REP has provided a successful drama mentoring programs to area elementary and middle schools that introduces and teaches students all aspects of theatre including lights, sound, costumes, sets and stage management.
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